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photo essay review of cameras Uncategorized

La vida leica redux

I am not a documentary photographer.

Laugh as you might at my philistine ignorance, but the concept of Impressionism in photography is new to me. Too often have my images been critiqued as too saturated, modified, edited etc., what have you.

Sod it all. And to all of you heartless critics, you can take your opinions and store it where the sun don’t shine. (I would have added an angry “For all I care!”, but it is obvious that I do)

I like taking pictures. I like editing them to give my impression of what I see. And my present weapon of choice is the Leica SL (not that rebadged Panasonic, which is the Leica SL2) , but the original Leica SL. With its humble 24MP sensor. Without sensor-shift image stabilization. Without the high-ISO range of the SL2-S.

And before you SoNikCanon fanboys proclaim their AF superiority, I only use traditional manual focus adapted R and L lenses. Also this is not a camera review. Nor is it a lens review. It is a review of the past year of MY pictures. Nothing more or less.

The typ601 Leica SL is one I got used in mint condition from Adorama. With an unfilled warranty and registration, this baby is mine as far as Leica knows. Like the m9P that preceded it (as my go-to), the construction is beautiful, but the buttons are stupid and despite everyone swearing at how naturally things fell to hand, the Panasonics, Sonys and Nikons of this world and yes, the old M9P, has this beat. Even after a year, I am constantly struggling with the ISO, the focus assist and EVF/LCD switch as well as that damn video (creation of Satan) button.

The lenses I use are an interesting combination and I will discuss them individually. From a pre-ASPH Elmarit 21mm M, my favorite Summilux-M 50mm, the quirky Apo Macro Elmarit-R 100mm, and the incredibly flexible Vario Elmar F4 80-200, it is an adequate range of brushes to satisfy the breadth of my artistic palette. Oh, and yes, unless artistically inclined otherwise, I almost always am wide open aperture.

The King.

In my book, there is every other lens, and then there is the Summilux-M 50 1.4. Compact, sharp and with colors to die for. Whether edited in post or not, images are simply gorgeous.

The quiet Ace

The Elmarit M 21mm is a shockingly small and light lens. Like most ultra-wides, very easy to focus as most things are often in focus wide open. Amazing as a travel companion, the heft of the SL that provides it that wonderful balance in hand, completely overshadows the 21, which feels like a lens cap by comparison. I even did an entire trip on one lens without missing the other lenses. The max aperture of 2.8 is a limitation, but the added bulk of the 1.4 21mm cousin, makes this a compromise (and financial bonus) that I am happy to make. Plus, like all Leicas, colors to die for.

Jack the Sportsman

No leica lens will ever be a Jack of all trades. They are ALL that special. Still, a lens that can do so much more is the Vario Elmar R 80-200 mm zoom lens. Amazingly beautiful to hold and use, balancing beautifully on the SL. Even without IS, gives some remarkable pictures.

The odd one out.

The Apo Macro Elmarit-R 100 is a strange bird. Incredibly bulky with a very very long throw, and despite incredible sharpness, a very dry Zeiss-like presentation. Still, adds full-on macro capabilities to my set and when used for portraits can be a very interesting lens indeed.

Yup.

Those were my pics with my edits on Lightroom.

Nope. You don’t need to like them because I like them plenty.

At the end of the day, it is as much about the pictures as the fun I have had composing them, focusing them, exposing them and developing them. Maybe your smartphone does better. And can focus automatically. And expose. And is much lighter. Which is a wonderful thing.

La Vida Leica is a Happy Cow!

Like happy cows and good milk (from that terrible ad), I firmly believe that the photographer’s relationship with his/her camera greatly drives the pictures they take. It has nothing to do with the technical characteristics of the camera, but everything to do with how your camera inspires you to be creative.

Categories
Kartik Thoughts

Are you really “free to choose”?

Freedom.

Choice.

Independence.

Even before the Anti-vaxxers cornered the market on “freedom” and “choice”, humans for years have lived in the firm and grounded belief that choices and consequences were controlled events. “Good” choices resulted in “good” consequences and “Evil” choices in “evil” consequences. By extension thus, evil happenstance must be a consequence of a prior “evil” sin or victimhood of another’s “evil” act, to be repaid in a “good” consequence – somewhere in the timeline (past or future).

These concepts of choice and consequence and the freedom that sentients claim to possess are the driving force of our ethics, morals and religions: fundamentals of a human society that always claims to possess a comprehensive knowledge and perception of the universe – from our prehensile cave-dwelling forbears to the scientific technocrats at the bleeding edge of science. For instance, we were sure that the world was flat, until we learned that it was not. And that we were the center of the universe, until we learned that we weren’t. And that up, down, left and right, back and front were durable concepts that define our reality, until Relativity showed the universe to be something else.

So are YOU free?

Can YOU choose?

Are YOUR thoughts and actions truly independent?

Join me in exploring these ideas in this fascinating rabbit-hole.

Let us take the simple act of brushing your teeth (or not brushing them, for that matter). Is it really your choice? For the sake of simplicity we will pursue the avenue of brushing your teeth. Society has created norms (long before YOU were even a concept), that fresher smelling mouths are desirable. Your state of mind this morning, is to try to play along – so you brush. There are so many influences of the Universe at large on each moiety as well as each minute action, footstep, thought, and idea. Resultantly, the action in large part is merely a reflection of the sum total of the Universes forces acting at a certain point. YOU just happen to be person these forces are pulling (or pushing) in a certain direction. YOU would need to be a remarkably strong individual to be able to overcome a whole universe of forces. (Note: If you are that Universally strong individual (because there can only be one, by definition) this blog-post may not apply, and please don’t squish me)

If YOU are not choosing, but merely being pulled in the inevitable direction of the sum total of forces, it implies that all actions must thus be pre-ordained. In this Universe, a zero-sum arising from nothing but the intent to Be. It raises the intriguing possibility that in reality (if such a thing exists), our precepts of good, evil, choice, consequence and, yes, freedom are merely human-made constructs to help our minds account for the inequities of the Universe’s pre-ordained course.

As bleak a picture as this drab Universe-model, I have painted, joy and sorrow still abound. These are absolutes that are contingent on the human condition.

Yes!

We do get to choose.

To be happy.

To be sad.

To be angry.

To be peaceful.

To accept or to reject the preordained nature of the Universe.

Think of the passage of the Universe (and our lives within) like a train journey from creation to extinction. We (all of us) are on this train of existence, created by the Choice-to-Be, on a journey through the map of preordained fate as it unfolds. Like passengers on a train, our control of the journey is minimal, limited in the duration specified and direction of our tickets. Some travel in first-class and yet, others are jostling in standing-room only. Yet, people at both extremes (and every one in between) may choose to be happy, sad, angry or at peace with their station and fates.

Consider it.

Think of situations in life where a given specific event in your own life, seems to be one that brings you happiness in some contexts and deep sorrow at others.

Realize that the choice to be happy or sad, is yours.

Rather than quarreling with the Universe’s preordained decisions, choose happiness and joy. For it is infectious and will spread, until one day, a pandemic of infectious happiness will cover the Universe from infinite edge to edge. Embracing the joy of the best moments of the past, present and future will generate the happy memories to tide the times when the Universal Plan inflicts the worst.

Choose Happy.

Choose Joy.

Choose Peace.

And if others choose otherwise, judge them not. We only exist to choose our own Feelings. Not those of others.